Fable is a body of work that negotiates the fine boundary between artifice and reality, simultaneously exploring the relationship between internal experience and actuality. As a means of addressing these boundaries and correlations the project deconstructs the notion of Pathetic Fallacy through the fabrication of fictitious environments.

Pathetic Fallacy, a concept coined by John Ruskin in 1856, is “The anthropomorphic projection of human feeling or volition on to nature” (Arike, 2006) when strong emotions “produce in us a falseness in all our impressions of external things” (Ruskin, 1856). It is a false appearance induced by an overpowering state of feeling that makes us momentarily irrational. In an attempt to capture this fragile state, the work pivots on a series of tensions between reality and fiction, interior and exterior, functionality and dysfunction and nature and construction. Fable utilises the weather as a signifier of reality as it has always been in existence; our interpretation of it has, however, evolved over time, this changing state becomes represented by the artifice of construction within the work.

In the past a spiritual connection was established with the atmosphere, the weather considered an intermediary between heaven and earth and therefore interpreted with moral significance. Today our relationship to weather has radically changed due to our ever-increasing scientific knowledge; nature no longer holds the same metaphysical relevance. Weather is used within the imagery not only as a tangible example of reality, but also as a vessel with traces of past emotional significance to aid the creation of a distorted vision. The environment is constructed with multiples of broken and damaged umbrellas; chosen for their unwavering affiliation to human interaction with the weather. Though through the imagery their function is rendered useless, their decaying state only provides failed protection as they transform from practical paraphernalia into sculptural objects. This fabricated scene interacts with the weather allowing artifice and reality to collide.

Fable further contends with the fictitious and fluctuating nature of emotion that renders it unquantifiable. There is no way of knowing whether two people ever share a singular feeling therefore it becomes a fictitious knowledge, something we recognise, share and group under one title, yet individual perception wavers. Fable references the very nature of photography when considering the construction of an image, questioning the veracity of what is depicted. The work hinges on interpretation, as the photographs are not created utilising an explicit emotion, but using varying weather conditions to interact with a staged scene of umbrellas.

Team Credits

Louise Nowelle Gibbs

  • Retail Manager


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Louise Nowelle Gibbs
Retail Manager