The wunderkammer, or wonder-room or cabinet of wonder, emerged in mid-sixteenth-century as a storeroom to house all manner of objects, trinkets and curiosities, discoveries claimed (or poached) from the man-made and natural world. Precursor to the modern museum, these collections reflect the individual behind them, mirroring their compulsions, values and cultural background, as much as the distant curios they hold and present. Visible within the Wunderkammer is the silhouette of the gatherer, and the act gathering. To gather implies to seek, to look for and find; to be open and receptive to what is around, within the vicinity and further afield; it means to pursue inquisitively. The cabinet the metaphorical basket; it is a museum, a place to store and collect. This project is effectively an editorial cabinet of curiosity, a repository for wondrous texts, images, objects and artifacts