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Ana Carolina Rodrigues

Artist and Learning Assistant

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About me

Artist STUDIO 4 Maxilla Walk London W10 6NQ. Tube station: Latimer road. Learning Assistant at Central Saint Martins.


  • Events
  • Film
  • Visual Arts
  • Art Direction
  • Environment
  • Indesign
  • Photoshop
  • Word
  • Curator
  • Sculptor
  • Drawign
  • Sculptural Installation

Work history


Learning Zone Assistant

Central Saint Martins UAL

Jan 2016


Educational Monitor, Museum Guide and Exhibition Assistant

Museu Coleção Berardo, Lisbon, Portugal

Sep 2011 - May 2014
  • Conception and realization of educational activities for schools and families and guide visits for children and adults. Visits and activities in Portuguese and English. Dealing with a team of forty people. Monitoring the activities and lunches during the school holidays. Welcoming, assisting and advising visitants.


Artist in Solo, Group Exhibitions and Secretary of the President of GIA

Self Employed

May 2010 - Dec 2014
  • Curator. Writing proposals. Negotiating the gallery’s rooms. Organising and producing marketing material. Managing artwork transport, delivery and receipt. Installing and dis- play artwork. Organising talk discussions. Liaising with the mediator. Preparing handouts. Assisting the mediator and any other member of the public the during the event. Solo Exhibitions There, a kind of memory and the irreversible replacement, London, 2015 TRONCO. Fábrica da Pólvora, Oeiras, Portugal 2013 Group Exhibitions CompoSITE, London, 2015 artisTT, London, 2015 ±0°C, London, 2014? Tangent, London, 2014 Projeto III, Pavilhão do Cevadeiro, Vila Franca de Xira, May 2013 Flawed Traces, Galeria Diferença, March 2013 Fio de Ariadne, ISEG, 2012 Trópicos, Galeria 59, 2009



MA Fine Art

Chelsea College of Art and Design

Sep 2014 - May 2015
  • TO TRY TO START FROM THE VOID TO MAKE SOMETHING Perhaps the “impossibility” of nothingness is the main reason to create.?To start from nothing... what is the meaning of this?? Pardon, I will rephrase it: to try to start from the void to make something. There was a very careful and deep analysis behind this process and, in this sense, was extremely important to formalize an idea about this methodology. The choice to work with this process, of finding things to construct a new thing that looks like itself, found its reason of being because the memory or, more precisely, the void of memory, has an extraordinary influence in me. If I wrote above about the void of memory was because I believe the void is being the main reason why I create art. The void is thus distinct from the nothing, in fact, this word can not be used, in the history of the physics as a technical word, and can not be compared with void in metaphysics also. The void is what remains is the indelible matter, the nothing I do not know what it is.


Fine Art Painting

Faculdade de Belas Artes da Universidade de Lisboa

Aug 2005 - Aug 2010



    Clifford Chance / UAL: Sculpture Award 2016