Anna Tudos

Curator

  • LevelJunior
  • LocationGlasgow, United Kingdom
  • AvailabilityLocked Pro Plan feature
  • ProfessionsCurator - Graphic Designer - Project Manager

Projects

About me

Anna Tudos is a freelance curator from Budapest, Hungary based in Glasgow, Scotland. She is particularly interested in exploring hidden histories and underrepresented issues often through unconventional ways of mediating art.

Locked Pro Plan feature

Skills

  • Project Management
  • Team Collaboration
  • Graphic Design
  • Community Art
  • Urban Design
  • Driving License
  • Academic Research
  • Exhibition Coordinating
  • Art Journalism
  • Arts Education

Companies I’ve worked with

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  • S

    Subcity Radio

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    • P

      Platform at The Bridge

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      • N

        Neon Muzeum

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        • O

          Over Over Over

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          Work history

          Currently

          Assistant Curator

          Over Over Over

          Dec 2017
          • Glasgow, United Kingdom
          • Freelance
          • Could a critical exchange encourage alternative narratives between Detroit and Glasgow based artists? “Over Over Over” wants to engage the public to explore life in each respective city. It aims to produce a taxonomy of conviviality, instead of the usual catchy fanfare (The ______ Miracle, The Creative ______ ) which obscures a hidden agenda to make citizens responsible for things once the purview of the state or larger institutions. We are not our own safety nets. The artists involved have a charm of being down to earth while also brilliantly, accessibly, critical. This energy is better spent exploring the myriad of ways that we engage with reality and each other. /Cedric Tai/

          Currently

          Researcher

          Neon Muzeum

          Dec 2016
          • Warsaw, Poland
          • Freelance
          • The book Neon Revolution features photographs of cold war neon signs in Budapest. Taking her research as a starting point for a dialogue, Anna Tudos is curating an exhibition presenting the multifaceted nature of neon signs and their relevance for today’s Hungary. Should we regard the popularity of these signs as perfect examples of exoticising the East or can they carry a meaning that goes beyond nostalgia? Nearly 20 years after faulty neon tubes put up in hurry were ridiculed by the local press, we experience different forms of public propaganda. Hateful billboards of today are much less sophisticated and almost anti-aesthetic, compared to the neon signs of the cold war. From another point of view, light pollution caused by light ads is constantly growing in the post-89, capitalist metropolises.

          2017

          Creative Intern

          Platform at The Bridge

          Jan 2017 - Apr 2017
          • Easterhouse, Glasgow G34 9JL, UK
          • Internship
          • Working with the 'Community Engagement Programme - Visual Arts' programme team, I was developing and executing strategies regarding audience engagement, art mediation and communication, working with residence artists Mitch Miller and Pester and Rossi.

          Education

          2017

          Master of Letters, Curatorial Practice

          Glasgow Schoold of Art / The University of Glasgow

          Sep 2016 - Dec 2017
          • Glasgow, United Kingdom

          2014

          Feb 2014 - Aug 2014
          • Cologne, Germany

          2014

          Feb 2014 - Aug 2014
          • Bonn, Germany

          2016

          Bachelor of Arts in International Studies

          Eötvös Loránd University

          Sep 2012 - Jun 2016
          • Budapest, Hungary

          2015

          Bachelor of Arts, Art Theory

          Hungarian University of Fine Arts

          Sep 2012 - Jun 2015
          • Budapest, Hungary

          Awards

          2018

          Membership at the Studio of Young Artists Association Hungary

          Studio of Young Artists Association