Do you really want to delete project Turin 1911: A World’s Fair in Italy?
Do you really want to hide project Turin 1911: A World’s Fair in Italy?
Do you really want to unhide project Turin 1911: A World’s Fair in Italy?
Do you really want to delete project ANTONIONI AND THE ARTS STUDY DAY?
Do you really want to hide project ANTONIONI AND THE ARTS STUDY DAY?
Do you really want to unhide project ANTONIONI AND THE ARTS STUDY DAY?
Do you really want to delete project M'ARTE V EDITION - habitat, habitus, humus?
Do you really want to hide project M'ARTE V EDITION - habitat, habitus, humus?
Do you really want to unhide project M'ARTE V EDITION - habitat, habitus, humus?
I am a young curator and a skilled researcher. I have a long-term experience in the visual arts environment and cultural institutions in the US, Uk and Italy as art professional.; I have just submitted my cross-disciplinary Ph.D thesis to the Royal Holloway College, University of London, with the title Redefining the auteur: Antonioni as multimedia artist, after having graduated from University of Virginia (MA in Italian Studies, 2010) and Catholic University of Milan (MA and BA in Art History, 2007 and 2005). Investigating, listening and dialoguing are at the core of my curatorial practice. I investigate the artworks, the details and the issues that arise from them; I listen to my intuitions, to the environment, the artists and the feelings that they evoke; and then, my goal is to make all these elements dialogue with each other, within a dynamic balance of languages and forms. Understanding the mission, as well as the environment, of an exhibition is a crucial step: as art historian I am guided by the aesthetic principles and inputs from the history of art; as curator, I start setting up the exhibition from its vibrant context, towards the long-term goal of interpreting, rather than objectively telling, our contemporary story. Curating is for me a methodological and intuitional quest, leading to a traumatic, yet fruitful, encounter between the artworks and the audience, and bringing to the surface both expected and unexpected issues.
I am currently in the process of organising a series of screenings of Italian Cinema (8 titles) with Q.A., to be hosted and run between January-February 2016 at the Cinema Teatro Florentia, Larderello (Pisa, Italy).
Assisting with the organisation and promotion of exhibitions and artists; conducting studio visits and studio inventory; researching, writing bios and critical texts; liaising with general public and visiting artists; keeping artworks and contacts database updated; developing and maintaining the gallery blog and social media platforms.
Researching on contemporary video artists for the Dept. of Modern and Contemporary Art; updating online database and archive; assisting with projects led by curator Adelina Vlas (i.e. Live Cinema); collecting, recording and arrangement of bibliographical material for Michael Snow: Photo Centric solo show (held at the Museum between February – April 2014).
Duties included: organising lesson plans, tutoring, preparing exams and grading.
Duties included: organising lesson plans, tutoring, preparing exams and grading. As Preceptor, I was in charge of leading staff meetings, final revision of the assessments, establishing deadlines.
Assisting with the events, artist/curator residencies and exhibitions | Helping the artists with their needs and projects; Grant and projects writing and fundraising; Manual handling tasks (painting, installation set up, hanging pictures, etc) | Performing opening/closing and safe procedures; Performing administrative duties.
My main research interests lie in the space of interdisciplinary. Under the supervision of Dr. Giuliana Pieri and Prof. James Williams, my research is a cross-disciplinary study of Michelangelo Antonioni’s late, controversial corpus of works.
Master’s Degree in Italian Studies, with a comparative thesis on Photography and Literature
Laurea specialistica (MA equivalent) in Art History
Laurea triennale (BA equivalent) in Cultural Heritage)