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Growing up it was all about being in the spotlight. I never really wanted fame, just the opportunity to create artistic work, and make a living doing so. I have realised through my time at The Royal Central School of Speech and Drama that making work is not what I was made to do, and that instead, it is the nurturing of other peoples work that excites me. My skills lie in the ability to get things done, efficiently and to a high standard. I thrive when given a deadline and love working to a a challenge. My background up until now has been broad, focusing on performance and art theory, marketing theory, methods of audience development and producing. I have experienced this predominantly in a festival environment, however I am tuning my experience more specifically into producing film, and working in an administrative role in established companies. I am looking to work my way up in an administrative role, applying my genuine love of organising to begin climbing my way up the ladder of film, media and/ or art.
Currently in the pre-production phase of co- producing a short stop-motion animation film. The story of Thomas, a man who is struggling to find his place in life, after considering all of the options layed out for him by those around him, finds comfort in discovering his purpose as a puppet. Directed by Pierre - Marie Laurent
This is a freelance job, working to suit the needs of clients and production staff working at the company. Organising the spending of petty cash.
As well as managing a department of four others, the responsibilities of this role included producing all of the video content made for publicity, overseeing social media platforms, negotiating with external companies, creating departmental budgets and managing sales/ box office.
This three month project was a collaboration with performance photographer M. Berardi to create two series of film and photographic work.
This was a hands on role, which involved working with delicate materials to finish the pieces, assist with the lighting of the space, the curation of the work and run the opening night.
Taking a space in an abandoned office block and transforming it into an intimate performance space, based on William. S. Boroughs “The Black Rider"
Liaising with artists, event photographers and event filmmakers in order to ensure the scheduling was understood from both parties, assisting with the social media for the event and managing images / footage after the festival.
With a tight deadline, this role involved me and a team of four others being set with a £50 budget, and given a list of costume requirements to source from the area. There was only one day to complete this task.
Performance theory, management, creative producing, marketing,