I'm a London College of Fashion graduate with experience of creating and editing product copy for fashion jewellery websites, as well as publishing magazine articles and blog posts. I have previously developed FMCG lines with design-led retailers including Paperchase and Clintons. I have been working with Clarity magazine since 2018 and writing copy for Farfetch since last year, whilst looking to take on additional creative projects on a freelance basis.
I am able to use various Office programs and have an ABC certificate in Photoshop CS2. I am also proficient in using various conference calling and remote working systems.
Projects
- Poem - A wish for a lifetime of happinessThis is an original poem I wrote for a wedding where the bride had terminal cancer. It was so hard to know what to say, as often weddings are a time to look forward to the future, but I wanted to say something meaningful in their wedding card, as we didn't know exactly how long she had left with us. Written March 2017 by Stephanie Payne
- Poem - Oh London my darlingThis is an original poem I wrote following the London terror attacks of 2017. When my favourite city was hurt, I felt a duty to express love and solidarity with those around me, to show that I and Londoners in general won't live in fear of people who want to destroy places of peace. Written June 2017 by Stephanie Payne
Work history
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ContributorClarity Magazine
United KingdomFreelance
I have been contributing articles to Clarity magazine since 2018, and enjoy working with Taylor (Clarity's editor) to create relevant and entertaining content suitable for girls aged 16-25. As part of this role I have also assisted with sub-editing selected articles.
Examples of my work have been published in the magazine and as part of the Clarity blog (https://www.claritymag.co.uk/blog).
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Skills
- Article Writing
- Copywriting
- Interview Transcribing
- Time Management
- Organisation
- Writing Poetry
- Product Development
Awards
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Award for English LanguageGreensward College
Awarded for an analysis project where I examined the implications of the language used in cigarette advertisements from the 1930s-50s.