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Teresa Pinheiro holds an MA in Management of the Arts and Culture from the Catholic University of Lisbon and a BA in Artistic Studies from the Faculty of Letters of the University of Lisbon. In 2013, she did Erasmus in Paris, where she lived six months and studied Lettres et Arts at the Université Paris Diderot - Paris 7. She is a member of FAZ 15-25: the Museu Arpad Szenes-Vieira da Silva's Youth Collective, where she has the opportunity of participating in the programming of the museum. Last year, she developed the project Repensar Museus: a set of informal conversations where professionals in the cultural and artistic field (curators, artists, museum's directors, architects) met to share new ideas and projects about museums. Currently, she is working as a production assistant and as the main responsible for group/schools visits at the Real Bodies Exhibition. Her main interest is to deconstruct the idea of elitism and formality in the artistic and cultural areas by breaking the still existent borderlines between these fields and society. She is interested in working these questions through visual arts, cultural events and education.Locked Pro Plan feature
Teresa assists with the implementation of MIL and Festival Silêncio. Working directly with the creative and production teams, she assists successful arts and cultural program delivery. From sending out invitations to guests and artists, following up and assisting with planning efforts, she makes sure all loose ends are taken care of while keeping the ability to stay calm and professional at all times.
Ocupart is an agency for the developing of cultural projects in unconventional spaces. Responsible for the production of exhibitions, writing and translating texts, contacting artists and organising contents for the company's website.
Part of the exhibition production team and co-responsible for the implementation of the exhibition in Cordoaria Nacional: requests and management of budgets, hiring and coordination of the staff, review and correction of texts and main responsible for the management of groups and schools visits.
Dissertation title: "The exhibition as knowledge production" The exhibition of contemporary art, since its emergence within the museological and curatorial context, has experienced social, political and economic changes influenced by the historical and artistic in which they are inserted. The figure of the curator, equally in constant transformation, has come to play a mediating role that establishes and reinforces the relationships between artists, audience, museum professionals and other cultural institutions. Recently, this set of changes contributed to the dilution of institutional boundaries between professions, departments and subjects, which resulted in the elaboration of curatorial projects based on collaboration and networking. It is as an effect of these innovations that the present dissertation intends to study the exhibition as knowledge production. The analysis of the curatorial projects Academy (2004-2006), The New Model: An Inquiry (2011-2015) and Under the Clouds: From Paranoia to the Digital Sublime (2015), which took place in the European context of the last fifteen years, is the starting point for the study of the exhibition and the curatorial as instruments of communication, collaboration and mediation. Keywords: exhibition, curator, contemporary art, mediation
Degree in Lettres et Arts, main subjects: Litterature, Aesthetics, Art History, Film Analysis and French.
Main subjects: Art History, Film Studies, Literature, Cultural Studies and Cultural Management. GPA: 15