Addie Wagenknecht knows what the void means. By this, I mean she’s an artist who plays with absence and the inheritance we leave behind; her works are clues into the world of technology and feelings that make up her brain, but they aren’t explanations of it. That would be too easy. She builds her art in unconventional ways — hacking sculpture and robotics together to create a traditionally beautiful thing from disturbing means and creating a visually disturbing thing with traditional ones. Wagenknecht’s prior series “Black Hawk Paint” and “Internet of Things” used drones and Roombas, respectively.
Her work has been featured in the Vienna, Moscow, and Istanbul biennials and acquired by the Whitney Museum of American Art, and she’s collaborated with Chanel and i-D magazine on a series exploring the sixth sense. Besides creating art exhibited around the world, she was one of the founding members of the cyberfeminist collective Deep Lab, who do work in cybersurveillance, research, coding, hacking, art, and theory. Her latest work, Alone Together, on view at Bitforms gallery in New York City is a series of paintings utilizing Yves Klein’s namesake blue, painted using a Roomba as a brush, letting it navigate around her nude body as she reclined on a canvas.