‘All women want love right?’ Reading the signs of sexual subjectivity in Jane Campion’s In the Cut

  • Lydia Rostant

I wrote about graffiti, Meg Ryan and female sexual subjectivity on screen for my latest blog post ....

Campion deconstructs the central conceit of female sexuality in her smouldering 2003 thriller.

Read it here: https://thepristineinnerexperience.wordpress.com/2021/02/10/157/

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