The huge, brooding weights of the blocks are startlingly different to the way housing is constructed in the West, if not exactly in form, but in number. The blocks could be seen as Brutalist masterpieces if situated in London; here they sit side-by-side as a raw practicality, populating the outskirts of Cairo with an endless sea of huge, dusty brown cubes. From afar they seem intimidating, blank, even though the open windows, curtains, and random dashes of colour from drying clothes gives some hint to the human presence that is their reason for being. Even so, the life within these blocks seems studiously squirreled away, hidden from the bustle of the street behind shutters and the mirrored veneer of closed windows.
Approaching these monumental buildings, however, a vibrancy at odds with their brutal exterior becomes apparent. At the base of the unflinchingly brown ten storey blocks, colour, activity and the hallmarks of a working community all begin to emerge, their scale becoming suddenly human. People walk calmly to and fro; fruit vendors and small shacks selling crisps, drinks, cigarettes and chocolate stay open all night with their wares perpetually on show, and people relax in cafés, shops and small businesses, with everyone seeming to know everyone else, at least on some level. We could appreciate this scale; though still packed tightly together, there was more of a sense of space here; room, and time, to think.
Unlike the tight, winding sprawl of streets we navigated elsewhere in Cairo, the streets between these blocks retain an element of order, while still being totally unique, shimmering with the endless detail of dusty marble floors, tiles, small shop-fronts and potted and carefully watered plants. They divide the ordered grid of the blocks like nameless Manhattan streets, long corridors of space slicing the regimented blocks apart, leaving just thirty feet between them. The space is at once close and yet somehow cosy beneath the towering, cable-lashed walls.