The new live visual performance ‘Crosspoint’ created in response to Ulrich Schnauss soundscapes, is based on the ideas of the rhizomatic, decentralised and re-configured perception. At the thematic core of the performance is the formation of bio-structures and hypothetical visualisation of the wrapped space, failed algorithms, alternative and intra life forms. The ecological and artificial, extra-terrestrial and underwater, simulated and synthesised, amorphous and elusive coalesce and evolve in the free-flow of improvisation. Unfolding alongside with the sonic counterpart, the visual performance seeks to defy the accustomed modes of perception and points instead to the different narratives of seeing, sensing and relating to the surroundings.