It’s 1958. A group of six modern British artists — students of the RCA and the Slade — are all living together in a large rambling Manor House in the Hertfordshire countryside. They had space to paint, but no heating. Visitors would drive the hour from Soho to party: Mick Jagger and Jimmy Hendrix raised a glass with Ted Hughes and Sylvia Plath, Ossie Clark and Terence Conran. Even in this sleepy rural setting, revolutionary https://www.wallpaper.com/fashion/danad-paul-smith