Floatation Tank’ (2015) and ‘Lido’ (2015) investigate the broad discussion around the construction of ‘gender’ within cinematic space. Through the fusion of sculptural installation and digital projection the work negotiates itself around the notion of viewing and the spectator. My practice aims to materialize the anticipated redundancy of cinematic identification during the ‘Digital Age’, in favor of the Internet. ‘Floatation Tank’ and ‘Lido’s ’ transposable elements question ‘gender’s’ maneuverability within ‘identity’.