From digging in the Parlophone archive to unearth lost film tapes and studio ephemera to working with renowned box set producer Stuart Batsford and designing every part of the set, this one was an incredible project to be involved in. I was a fan of Mansun in the 90s, so I definitely didn’t want the responsibility of working on the design of Paul’s solo material, or the reissues of the first two albums on Kscope, but through a series of fortunate events (stepping in to save the day after the commissioned designer went awol) and the faith of Paul and his then manager Keith Wozencroft, I took it on, and I’m so glad I did, this is my proudest piece of work so far.