The Chair Is Touching the Wall

A self-portraiture project and emotive response regarding the structural barrier of physical and metaphorical spatial confines. Retracted from Heidegger’s theory of Dasein; the literal translation of ‘being there’, he speaks of an unencounterable space where the objects can never occupy the exact same entity. Obscuring the boundaries of shape and form to imitate an inferiority amongst surroundings, ‘The Chair Is Touching the Wall’ (2018) shows a visceral interaction between the materiality of the cyclic framework and the minimalistic chaos of movement.