This special issue of The Modernist Review aims to bring together approaches to modernism that relate to contemporary times. Much in the way that life as we know it has changed since the spread of Coronavirus, modernism grew out of a time of great change in the early part of the 20th-century. Urmila Seshagiri suggests that contemporary fiction is interested in modernism’s defamiliarizing act and the rewriting of “public and private discourses through the violent, surprising, or thrilling erasure of the habitual and the known.” In commissioning works for this issue, I asked contributors to think about the ways in which the ideals and aesthetics of modernism are still relevant today, and what inspirations and techniques we can use to reflect our own realities.