Published in The Photographer's Gallery's journal Loose Associations to coincide with Feast for the Eyes exhibition. Eating is perhaps the most primal way that we physically consume culture and emotion—it is our earliest means of accessing the stories of our ancestors. Recipes hold within them deep undercurrents of who we are and who we hope to be. Feeding others can be seen as a way to render accessible the many threads of meaning held within a mother’s humble bowl of congee, or encased beneath the cellophane of a ceremonial gift basket. Cooking with bones is one of our most ancient practices, a prehistoric recipe. When we create ritual and tradition around food, we unfold deep lineages and connections spanning time and space. Many of the dishes that we hold dear are not meant to be beautiful nor conspicuous, and meals which truly feed and sustain us will not necessarily pander to the glamorous aesthetics proliferated in visual culture. To value food only for its ability to win our eyes does not truly respect the act of consumption as a fundamentally ancient, sensory and ritualised act.