After arriving in London in early 2019, I began drawing quick portraits of people around me on buses and trains, making a conscious effort not to get caught staring at anyone. The result almost a year was a pile of sketchbooks filled with sour-faced commuters. I scanned and arranged a thousand of these portraits with their gaze drifting in circles so that when flicked through, the heads spin. Riso printed on A6 Munken Lynx, by Studio OR.