Marking the centenary of French artist Pierre Soulages’ birth in December 1919, the Louvre’s exhibition of his work maps the chronological development of Soulages’ work with eighty years’ worth of pieces. Often described as a ‘painter of black and white’, Soulages was a pioneer in the use of outrenoir, or ‘ultrablack’, changing the premise of painting to achieve total abstraction. The exhibition details his unique approach to the medium, his works’ ambiguous titles questioning the synthesis between artist and viewer interpretation, which, acccording to Soulages, are liable to ‘emerge and fall apart’.