Afetr exploring how to include identity and cultural elements into object design, a new idea came up after long planning. The concept is about introducing resources and element from one community into another by design in practical and aesthetic way. The objective is to make sure the designed product, in thi case tableware, is not only a physical appealing object but that is a practical one. The respect for cultural items and their history has allowed recognizing the importance of familiar language for one community and how this fresh and particular feature can be attractive for a wider audience.
A local graphic could alienate foreign people. To keep it as inclusive as possible some finish rules must be set. A graphic representation must be a general one to encourage people to consume the product. It is not about producing a souvenir, it is about engaging with people in a way that the main historical aspect can be seen.
During this project a very common doubt was generated when color was discussed. Black, white, stone aqua, honey and vermilion Red were included in the pallet. Also the glossiness and texture of these colors was object of study. A mate finish is more appealing for tableware and in this case it respect the gamma of colors used in ancient Pre-Columbian cultures.
The project did not stop in one sample or one design to create a complete line this project came to this point to create 4 different designs.
-Small Jar: An alteration of the typical ceremonial object. Its function is to be used with hard liquor.
-Big Jar: It is a bigger version able to contain more liquid.
-Teapot: It is an abstract version of the same language that but it has been modified to obey a clear new function.
-Flower vase: It is an example of the versatile functionality of the same language.