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My production work includes writing and recording for Beast & Burden's New Business Award-winning pitch video as well as location assisting for David Connolly's 'I Don't Know How' music video. I co-run the monthly Filmageddon Film Quiz at the Prince Charles Cinema in Leicester Square. We regularly pack the downstairs screen with 240 people, as well as release a bi-monthly podcast on iTunes (which I produce and record). I manage the social media aspects of the event as well as work with external partners to grow the Filmageddon brand. My most recent work has been at TVT as an Academy Compliance Viewer, where I create detailed logs of UKTV content, paying close attention to the Ofcom Guidelines and BBC Editorial Policy. I've also worked alongside Scripps International, BBC Worldwide, and CBS Reality in delivering quality work that has played out on a host of channels across the UK and Europe. I'm no stranger to a hectic work day, a busy schedule, and liaising with various departments and divisions in different companies.
Creating detailed logs of UKTV content, paying close attention to the Ofcom Guidelines and BBC Editorial Policy. Reversioning content for duration, ensuring retention of narrative integrity. Reviewing post-edited materials, making sure that other Viewers have complied with the Ofcom Guidelines and BBC Editorial Policy and that narrative quality is retained. Creating post and pre-watershed versions of the same media, occasionally turning post versions into pre-watershed versions. Delivering content for UKTV (Alibi, Dave, Drama, Eden, Gold, Good Food, Home, Really, Watch, Yesterday), BBC Worldwide, CBS Reality, and Scripps Networks Interactive.
Watching eleven live games simultaneously and creating detailed logs of every game via the NFL Red Zone channel. Highlighting certain plays in the game and directing the editing team as to which plays should make the live show later in the night. Extensively logging the live Wembley games in 2014.
Quality checking files before they are delivered to the relevant channels, making sure star/end times, break times, clocks, and sound levels are all correct. Highlighting any issues with timing and glitches and reporting to media managers, coordinators, and editors. Adhoc duties covering the Media Manager and the Post Production Coordinator positions. Managing workflow through simultaneous use of Filemaker and ATTAC systems.
Broadcast production, editing, lighting, film theory.