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Bethan Sherwood

Pattern Cutter/ Production Coordinator/ Designer


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  • LevelMid Level
  • LocationTaunton, United Kingdom
  • AvailabilityLocked Pro Plan feature
  • ProfessionsPattern Cutter - Fashion Designer - Production Coordinator

About me

I have gained eight years of experience within the Bridal and Eveningwear industry, working for the designer Sassi Holford. I have progressed within the company from bespoke cutter; cutting all the high-end bespoke bridal and evening wear designs. To the present where I am the sole made to measure pattern cutter and production coordinator for the cutting department, managing a team of seven. For the past five years I have also designed for So Sassi a second bridal range from Sassi Holford. My various jobs roles have helped me to gain a vast knowledge of the high level of craftsmanship needed to create a perfect bridal or evening gown. I appreciate the importance of creating accurate patterns; actioning all amendments; creating clear specification sheets and costings; whilst maintaining communication in an often fast pace environment. I have worked with a wide range of fabrics from delicate silks, chiffons, expensive laces to stretch and heavy cloths. I am confident working in a fast paced and high-pressured environment, my role as a pattern cutter often involves simultaneously working on new designs as well as bespoke and made to measures with several different deadlines. As the sole made to measure pattern cutter, I am responsible for looking at customer measurements and creating patterns that deliver the perfect fit.

Work history


Production Co-ordinator

Sassi Holford

May 2017
  • Full Time
  • • Managing the cutting department consisting of seven team members by creating weekly work schedules for cutting, vetigraph and grading. Organising and delegating work, ensuring patterns and dresses are cut accurately and on time. Working to multiple deadlines simultaneously with customer orders and new designs. • Introduce weekly communication meetings between design, management and production. Also implemented weekly memos for cutters. Both meetings and memos have encouraged team building, organisation, and communication in a fast paced working environment.


Pattern Cutter

Sassi Holford

Aug 2012
  • Full Time
  • • Working directly with head designer and design team to produce accurate patterns for new designs, made to measures and bespoke orders for Sassi Holford bridal, occasion wear, eveningwear and So Sassi bridal. • Understanding client’s measurements and formulating the best pattern amendments to create the perfect fit. Accurately making made to measure and bespoke patterns. Amending patterns after toile fit. Following up any quires and questions with stockists through email and phone calls. • Confident in creating patterns through flat and moulding. • Ensuring all orders have the correct information for all aspects of production and that all orders maintain a high level of finish. • Precisely inputting patterns into the vetigraph. Creating grading rules for accurate grading of all sizes. • Able to work in metric and imperial


Fashion Designer

Sassi Holford

Jan 2012
  • Full Time
  • • Researching, creating and developing new designs each year for the Sassi Holfords So Sassi label. Working within a design team to create beautiful on trend wedding dresses that are commercially minded and fulfil the So Sassi USP and price point. • Liaising closely with the sales, buying and production team to plan the development of each year’s new collection. Being aware of the latest bridal, fashion and fabric trends and key competition. • Ensuring all designs can be understood from a technical perspective. Being part of the design process, choosing fabric to compliment a design, overseeing toiling, fittings and detailing, as well as problem shooting.


Sample Cutter

Sassi Holford

Aug 2009
  • Full Time
  • • Cutting all the bespoke Bridal, Evening and Occassion-wear orders. • Confident working with delicate silks, chiffons, expensive laces, stretch fabrics and heavy cloths • Creating specification sheets for new designs and bespoke orders to ensure all components are cut. Economical lays are created, costing sheets are filled in and all necessary information is provided for production. • Problem solving, finding the best lay with limited or expensive cloth. Working out issues that may occur from design changes. Making decisions on quality of cloth used. Introducing a quality control book, ensuring all fabrics pass inspection before being cut.



BA (Hons) Fashion Design 1st Class Honours

Leeds Metropolitan University

Sep 2008 - Jul 2009
  • Applied Creative Fashion Design


Sep 2006 - Jul 2008
  • Fashion Interpretation