Mousse is a contemporary art magazine. Established in 2006, and publishing five issues every year, Mousse is made of interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of feature columns. Mousse is peculiarly printed as a newspaper and bound as a magazine.
Mousse keeps tabs on international trends in contemporary culture around the world. Mousse has an average print run of 35,000 copies and widespread distribution in Europe, America, Australia, and Asia, as well as in Italy, where it is available free of charge.
Projects
- Mousse Magazine issue 60 October-November issueTotal Immersion: Frieda Toranzo Jaeger by Chris Sharp Frieda Toranzo Jaeger is a Mexican painter based in Hamburg, where she recently finished her studies. Her work is strange, aggressive, unaccountably sexy, and anything but conforming to the stereotypes associated with Mexico. It did not take the author long to realize that he really liked it, and to start what turned into a fruitful conversation about the artist’s practice, the craft and stakes of painting in general, and Mexico City, among other things. The Testimonial Subject: Rana Hamadeh by Carolina Rito The Ten Murders of Josephine (2017) is an operatic work structured through several evolving iterations that overwrite and trouble one another, proposing a particular dramaturgy of labor and research processes that commence with the present exhibition at Witte de With Center for Contemporary Art in Rotterdam. In this conversation, the artist unfolds the constitutive conditions of testimony vis-à-vis the notion of “testimonial subjecthood.” Variation and Repetition: Aria Dean by Hanna Girma Often employing seemingly mundane, mass-produced—yet culturally weighted—objects and proxy-sourced images, the work of Aria Dean forces the viewer to consider the encumbrance of the material but also the fraught realm in which the corporeal exists. Dean’s projects as an artist, writer, and curator are equally part of her larger, multifaceted practice. Here she discusses her status as an art-world Anansi character of sorts, how her past writing and work deviate from her upcoming projects, and the state of black critique. reed more on www.moussemagazine.it
Work history
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Communication DirectorMousse Magazine & Publishing
Milan, ItalyFull Time
Skills
- Account Co-ordinator
- Editorial Management
- Editorial Concepts
- Advertising Communications
- Art Magazine
- Social Content Strategy
Education
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Master's Degree in History of Contemporary Art and Visual CultureUniversità statale di Milano
- Milan, Italy