Cintia Bertaccini

Cintia Bertaccini

paper artistLondon, United Kingdom
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Anzhela Ponedilok
Pip Jamieson
Elizabeth Ogabi
Cintia Bertaccini

Cintia Bertaccini

paper artistLondon, United Kingdom
About me
I'm a paper artist and graphic designer, living and working in London, UK. During the past 10 years I've worked as a paper artist, making projects for editorials, videos, stop-motion animations, packaging, pop-up cards, window decorations and printed materials. My consistent background in graphic design contributes to understand and find effective solutions for the clients. I'm member of Paper Artists Collective since 2016 and also member of Association of Illustrators (AOI). I love the challenge to transform paper into tangible assemblies and amaze people!
  • SHISEIDO • Harrods Magazine Editorial
    SHISEIDO • Harrods Magazine EditorialPaper camellias handmade with GF Smith Colorplan paper, bright red. First I draw all the pieces using Adobe Illustrator, and then I cut out using a Silhouette plotter. To assemble, I haven't used any glue, it was all stiched together.
  • 2021 New Year
    2021 New YearI've started this year playing around with stop-motion animation.
 I wish a happy and colourful new year to you all!
  • The wolf I used to be • stop-motion animation
    The wolf I used to be • stop-motion animation“The wolf I used to be” is a stop-motion short movie, which I had the pleasure of taking part with Nearly Normal Studio, in London. All characters and props are papermade, completely handcrafted, which required many hours of work and dedication. It was an independent production, and we made from the script to the music. CREDITS Story by: Saulo Jamariqueli Creative Direction: Saulo Jamariqueli & Jaime Kiss Production: Saulo Jamariqueli & Jaime Kiss Storyboards and Character Design: Clayton Juni
  • texture!
    texture!Fur textures made out of paper for stop-motion animation props.
  • War on Drugo • stop-motion animation
    War on Drugo • stop-motion animationDrugo is an awarded stop-motion animation, made for the Global Commission on Drug Policy. Through a narrative of fairy-tale, proposes a didactic way the debate about drug use and its consequences for society. Conception is from Marcello Serpa, partner AlmapBBDO, and the production of Vetor Zero / Lobo.
  • Canestest • stop-motion animation
    Canestest • stop-motion animationA Film Club production with Nearly Normal Studio. Direction: Saulo Jamariquelli Crafts: Jess Deacon and Cintia Bertaccini Animation: Anthony Farquhar-Smith Post Production: Saulo Jamariquelli Art assistants: Polly Lindsay and Sabine Füreder
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Work history
    paper artistNearly normal
     - London, United KingdomFreelance
    As part of Nearly Normal's craft team, I had the opportunity to use many of my paper skills: 3D and 2D illustrations, pop-up cards, props for editorials and stop-motion animations – not only assembling but also designing, engineering, preparing the files to be cut and managing the crafts productions. Highlight for the acclaimed animation "The Wolf I used to be" and also to the "Smart Meters" series.
  • Illustration
  • Graphic Design
  • Editorial Illustration
  • Set Design
  • Paper Craft
  • Paper Art
  • Paper Engineering
  • Craft Skills
  • Art Direction
  • Stop Motion