Being a set designer is allowing me to travel both physically and mentally. It is a possibility to cross different landscape, to be at the same time a craftsman, a designer, a technician and a builder. Like an actor who can play different roles, I am allowed – as a scenographer – to travel from one world to another, to be in perpetuate motion. What I really like in scenography is the crossover and relations created between light, architecture, sound, bodies and text.
I chose theatre because unlike cinema we are facing the truth. Because it is mainly an incarnation of life through a performing art. Theatre has this genuineness that I really appreciate, we can not pretend nor start again. The performance is the result of a team work, without cheating or artifice. What I like in theatre and more specifically in set design is the collective effort leading to a performance.
Projects credited in
- Acting & Technical Theatre at the Guildhall SchoolActing & Technical Theatre at the Guildhall School
Work history
Set and costume assistantRoyal Opera House
- 14 Bride Ln, Fleet St, London EC4Y 8EQ, UKFreelance
Set and costume assistant to Kitty Callister for The day Dawn directed by Freya Wynn Jones
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Set designerLatymer Upper School
- Edinburgh, United KingdomFreelance
Set designer for Made in Dagenham directed by Justin Joseph
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Skills
- 3D Modeling
- Autocad
- Art Direction
- Photoshop
- Indesign
- Theatre
- Children’s Theatre
- Contemporary Theatre
- Opera
- Theatre Design
Education
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MA ScenographyRoyal Central School of Speech and Drama
- London, United Kingdom
BA Design RealisationGuildhall School Of Music & Drama
- London, United Kingdom
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