Projects
- MAVICA - are you back?Director & Producer - Anna Parcerisas @anna__parcerisas In collaboration with Thulsa Doom @thulsadoomvideo, Cyrus Mirzashafa @cyrus_mirzashafa , Mike Davies @miked_director & Hector Ioannides Production Manager & 1st AD - Marie Osman @marieyosman Production Driver & Runner - Raja Abdul Kareem DOP - Dominika Besinska @dbesinska Steadicam Op - Kiloran McLaren @kiloranmclaren 1st AC - Ardeshir Abdolrahimi @ardeshir.ab 2nd AC - Tugce Ozbicer @tugce_ozbicer Gaffer - Daniel Temple daniel_templefil
Projects credited in
- ROKIT WILLIAMS FORMULA 1 - FW43 CAR LAUNCHThe main challenge for this job was to match two steadycam shots in one single sequence. We decided we were going to shoot Large Format, specifically ARRI RAW, Open Gate 25FPS on Alexa Mini LF. This decision came from the necessity to get the best out of the large format sensor both for orizontal and vertical framing, as some of the deliverables asked from the client were 4:5 and 9:16 format.
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Work history
D
D
Focus PullerDAB Camera
London, United KingdomFreelance
Rep’d by Loop Talent Crew Diary Service
+44203 488 6599
crew@looptalent.co.uk
Junior Camera Operator & EditorRD Content
- London, United KingdomFull Time
Spending close to two years learning from fellow in-house DOPs and freelance crew members has helped me hone my technical skills with the industry-standard camera and lighting equipment as well as to adjust to the onset workflow and team dynamic within the camera department. In my job at RD Content, I have worked with a variety of clients, including Facebook, Instagram, Manchester City, Williams Racing F1 and Barbour, among others.
Some of my responsibilities included:
- Working closely with the creative team and the production team in pre-production, creating kit lists, bookings and helping with any external kit hires, and leading projects on the day while acting as a Lighting Cameraperson
- Acting as Camera Operator on bigger jobs, involving multiple camera setups
- Acting as Focus Puller on most jobs
- Maintenance and repair of all camera and lighting equipment, including ARRI and RED cameras, professional lighting equipment, monitors, gimbals and drones
- Prepping and checking in a wide variety of equipment
- General maintenance of the kit room
- When not on set, occasionally cutting down, editing (Adobe Premiere Pro) and colour grading footage (DaVinci Resolve)
- CAA Drone Operation Training and Licence
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Skills
- Cinematography
- Camera Operation
- Focus Pulling
- Colour Grading
- Davinci Resolve
- Adobe Premiere Pro
- Drone Pilot
- Drone Operating
- Photography
- Photo Editing
- Adobe Lightroom
- Adobe Photoshop
- 35mm Film Photography
- 16mm Film
- 35mm Film
Education
35mm/16mm Camera FamiliarisationNational Film and Television School
- London, United Kingdom
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A
Certified Training for ARRI Camera SystemsARRI Academy
- London, United Kingdom
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