Evie Branka
Available

Evie Branka

Video ProducerLondon, United Kingdom
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Francis Lane
Andrei Croitor
Jack Klos
Evie Branka
Available

Evie Branka

Video ProducerLondon, United Kingdom
About me
MY CORE STRENGTHS » I am fascinated by art, brands, campaigns and telling stories » Wide experience in Information and technology sector » Video Technical skills, such as Scriptwriting, Camera operating, Editing, Webinar Management, Photography, Music, Adobe Creative Suite, After Effects » Genuinely motivated by change for good and positive social impact » I want to make a mark in the wider community » I love bringing people together MY SUPERPOWERS Burgeoning integrity Wild imagination Passion for innovation FAVOURITE QUOTE: "Simplicity is the Ultimate Sophistication" - L. da Vinci Professional aspirations: My favourite part of being a film producer is putting bold ideas into motion. From a film critic point of view, I want to offer viewers a meaningful experience. My goal is to produce the best motion design - live action and animation films crafted to the highest technical standard and with a broad aesthetic range. Personal goals: Personally, I wish to use my gifts of quirky imagination, a solid education in film and serial optimism to serve as a leader, live a balanced life and apply ethical principles, such as truly equal opportunities, to make a significant difference within my industry.
Projects credited in
  • Sony Playstation
    Sony PlaystationAudio identity created for Sony Playstation.
  • Sony PlayStation Playlink - Hidden Agenda
    Sony PlayStation Playlink - Hidden AgendaAdvert for Sony PlayStation PlayLink - Hidden Agenda
  • Sony PlayStation Advert
    Sony PlayStation AdvertThis advertising campaign for Sony PlayStation draws visual parallels to a real ‘urban’ environment. The images were shot in London’s Barbican Centre, arguably one of the finest examples of postwar architecture designed – as the games are – as one coherent unit. CHK worked on the concept as well as the visuals for this campaign. Photography and post-production by Dominik Gigler.
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Work history
    Sony Pictures Entertainment logo
    Sony Pictures Entertainment logo
    DIGITAL VIDEO & MOTION GRAPHICS PRODUCERSony Pictures Entertainment
    London, United KingdomFull Time
    Work directly with outside vendors and in-house team to establish objectives, create a vision, determine budget, establish timelines and develop plans Manage workflow and media management team to provide guidance and mentorship to Associate Producers and Production Assistants Supervise, assign an manage the daily work of Video Editors, Illustrators, Music, Sound Designers & composers as well as oversee the end product Script development and script writing Storyboarding for both animation and motion graphics projects Hire talents and technicians, oversee idea development and manage financial decisions to bring the project to fruition Overseeing a voiceover production from casting, through directing in a recording studio and working closely with sound engineers on sound mixing The day to day oversight of localisation projects, for worldwide speaking viewers. Work within a team that is tasked with the provision of a full and professional client service, ensuring that all creative & post production jobs flow efficiently and are delivered on time and to the highest possible standards. Ensure that a high level of client service and client engagement is maintained at all times. Liaising with versioning producers, clearance and trafficking teams, scheduling, creative and operational and technical personnel to ensure that delivery timescales are met, and production briefs are met. Work with fellow versioning producers to manage the localisation process across editing, motion graphics, subtitling, audio mixing and technical delivery. Ensure that all work is delivered to an appropriate technical and creative quality. Ensure consistency of output and work with operations to ensure quality control standards are adhered to and met prior to final delivery. Provide all necessary information for the purposes of client billing and the raising of invoices where appropriate.
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    Development ProducerTwoFour Group
     - London, United KingdomFull Time
    Generating original and commissionable ideas for factual and formatted series, both on their own and in collaboration with other members of the Development team. These ideas should be in line with TwoFour creative and commercial aims. Conducting accurate supporting research for new ideas Writing high-quality programme proposals Producing taster tapes – setting up filming, producing and directing shoots, edit producing Identifying brilliant new on-screen talent and forming strong working relationships with those individuals Securing access to organisations, groups and individuals that might form the basis of new series Where needed, finding and casting suitable experts and contributors for new ideas When required, running internal creative meetings Tracked project schedules, liaised with QA, Marketing, PR, trained team members and managed budgets Accountable for as many as 5 projects concurrently
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Skills
  • Producing
  • TV
  • Advertising
  • Video Advertising
  • Video
  • Film Production
  • Digital Production
  • Project Management
  • Video Creation
  • TV Development
Education
    Cannes Lions School logo
    Cannes Lions School logo
    Certificate Cannes Lions School
     - Cannes, France
    Cannes Film Festival and invited Talk of The Time in collaboration with Denmark National Film School & Zentropa Production – the company behind directors Lars von Trier and Nickolas Winding Refn
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    Masters of Art and DesignLodz Film School
     - Łódź, Poland
    Subject: ARTS MANAGEMENT, TV AND FILM PRODUCTION Thesis: Cinema is dead. The image proliferation and future of art & film production. Research field: New Media
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Awards
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    WINNER - Best Music VideoChelmsford Film Festival
    My role: Associate Producer "Kon-Tiki tells the autobiographical tale of youth, growing up in the ’70’s, being different, unaccepted by your family, of escape, of release. Interpret it as you will, but the directing talent that is Andrew Rutter has taken the theme and run to the hills and lakes with it. A cinematic tour de force, it depicts a boy who wishes he was a girl, set back when even the thought of a transgender person was taboo. A post war father, looking down his nose at the remains of varnish on his son’s nails, a sister, comrade in arms and blood, looking protective and concerned. It’s a stark and sad document about the turmoil of feeling you don’t belong in your own skin. Beautifully shot, all done for the love of the band, it’s a stunning introduction to the record, two sides of reflection and nostalgia but startlingly prescient depictions of Britain." - Louder than War Directed by Andrew Rutter Director of Photography - Christopher Hood 1st AC - Paul Warsaw Gaffer // Day 1 - Billy Jackson Producers - Andrew Rutter & Christopher Hood Production Support & Set Design - Adam Fray Production Assistant - Ryan Ives Drivers - Mark Furneaux & Joanna Bottomley Costume Designer - Danijela Vunduk Associate Producer - Evie Branka Bike Provided by - Reece Kennedy Editing / Grading / VFX - Andrew Rutter Additional Telephone Sound - Werra Special Thanks - Joanna Rose, Danielle Sanderson, Joseph Ladlow & Family, Charlie Hood, Rose & John Caldwell, Grayson Bottomless, Steve Hayward, Mitchell Fray, Aquatic Impact, Pannyhire, Cecilia Whitehouse, Angel the Cat, Bala Adventure & Watersports Cast - Daniel Lipton, Niamh Finlay, Dina Dal Forno, Keith Casablanca & Iona Crampton Funded by Nicola Waldman & Philip M. Peverley @ Classic Album Club Records 'Real Britannia' recorded at Factory St. Studios by Producer Alex Eden factorystreet.co.uk andrewrutter.com facebook.com/andrewrutterfilms Ultrasound's new album 'Real Britannia' featuring 'Kon-Tiki' is available now. ultrasoundband.com promonews.tv/videos/2016/11/29/ultrasound-kon-tiki-andrew-rutter youtube.com/watch?v=WQoGQy-Dbbc
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    1st Prize Winner / Fine Art - Conceptual Category - Marta KochanekInternational Photographer of the Yea
    LOV'YER by Marta Kochanek My role: Production Coordinator The aim of the project was to research the subject of love and rejection as well as post-rejection traumas and its impact on life. The initiative developed by Marta allowed discussion in groups and work on a visual part/outcome of the idea. The history of humanity has recorded hundreds and thousands of romances and mésalliances of all kinds. The world witnesses love between people of all nationalities and races. This planet gives room to those attracted to people of the same, opposite and both genders. It is how this world is constructed. It is how it always was. Love is what motivates us in life. Brain science tells us it is a drive like thirst. The ancient Greeks called love “the madness of the gods”. Modern psychologists define Love as a strong desire for emotional union with another person. We dig deeper and deeper into brain science, physics and psychology to understand what drives us to name our emotions, to describe feelings. We are desperate to find it, to experience, cherish and keep it. We succeed and we lose. Some people beg for love, some pay for it and some are just lucky to find their second half in this big and richly populated world. People love. People cheat. People judge. People are brutal. People search for attraction and attention, sex and lust, deep union and long-term partners. We find love to be inspiring. We look for lovers to make it all fresh and intense again. For her new Lovyer project, Marta portrayed seven relationships that are formed by both the majority and minorities of the whole population that occupies this world. She contrasted old and young, curvy and slim, black and white, straight and gay. Following her research she finds it fascinating to observe and read about lovers, cougars, sugar daddies, gigolos, adorers, secret admirers and cohabitants. She realised that what happens to be silly to majority can be normal to minority. What is obscene to millions can truly be a blessing to the others. What can be a blessing to one group of people; can also be a motive for hate or crime for the others. One of Marta’s first discoveries and sources of inspiration was the Ain Sakhri lovers’ figurine, which is the oldest representation of a human couple making love in the world. It is 11.000 year old and is very significant. If we were to translate Marta’s surname from Polish to English, it would only mean Lover. The word is recorded from the earliest English writers in the 8th century. As for the title she purposely chose an obsolete (Middle English) form of lover. copyright Marta Kochanek https://www.martakochanek.com/lovyer
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