Hannah Silverton

Hannah Silverton

Freelance Creative Producer: Brand, Editorial & EventsSydney, Australia
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Damian Jenorowski
Suzie Davis
Jen Moore
Hannah Silverton

Hannah Silverton

Freelance Creative Producer: Brand, Editorial & EventsSydney, Australia
  • What3Words: The Company Rethinking The Entire Global Addressing System | Editorial Feature
    What3Words: The Company Rethinking The Entire Global Addressing System | Editorial FeatureImage: Stocksy Author: Hannah Silverton
  • So BoBo: Inside Soho Farmhouse | Travel Editorial
    So BoBo: Inside Soho Farmhouse | Travel Editorial
  • Screw Email! Why Letter Is The Most Effective Way To Reach Your Customer | Feature Article
    Screw Email! Why Letter Is The Most Effective Way To Reach Your Customer | Feature ArticleBefore you press send, it’s time to think outside the [in]box... In 490BC, an Athenian herald (or ancient courier) named Pheidippides performs an act that arguably makes him one of the great communicators of history: he runs a couple of hundred kilometres to the King of Sparta to deliver a vital message that the Persian army are approaching. Unfortunately, the timing wasn’t ideal. The Spartans were observing Carnea, a festival of peace and were therefore unable to send their army to help. The Greeks were forced to face the Persians in battle and against all odds achieved the unthinkable – victory. In the wake of the victory, another odyssey began for poor Pheidippides. This time a 43 kilometre run from Athens to Marathon to announce the news. Upon reaching the destination – the summit of the Acropolis – he fell to his knees, declared their miraculous triumph and died. That morbid but lasting legacy of those last 43 kilometres (or 26.5 miles) became the inspiration for our modern Marathon, first formally introduced at the 1896 Olympics. So, what can we learn from Pheidippides the communicator? And why did London-based creative team Ran and Max decide to tell this particular story in their keynote at this year’s SXSW Festival in Austin? Now, as in ancient Greece, the point is this: the visible effort that’s put behind a message matters. It was true then, it’s true now and always will be. It’s so often the case that the value comes in not what you’re communicating, but how. Pheidippides started something that has become the hallmark of hard work. For over a century, people have used marathons to make a visible effort of spreading a message about something. It’s doubtful this event would have been quite so impactful if Pheidippides was able to just send a quick email. For all its purposes – an online letterbox, a business diary, a marketing medium, email has definite (and arguably increasing) shortcomings. According to Ran (Stallard) & Max (Maclean), businesses send 12% more emails year on year. A staggering 143 billion are sent per day purely by marketers alone. In fact, if we were to physically print out these daily emails onto regular A4 paper, the collective result would weigh more than eleven Empire State buildings. So what solutions are the creatives suggesting in an age of email overwhelm? Handmade communication. It’s both powerful and underused, especially by marketers. A standard piece of email marketing has open rate of 16.8%. This drops down to an abysmal 2.9% if sent by an insurance company. Comparatively, the average open rate of a piece of handmade communication is a staggering 99%. This may seem inflated but when was the last time you left a letter addressed to you unopened? and In the US, the typical internet-user, receives an average of 50 marketing emails a day but a handwritten letter every seven weeks. It stands out. Steve Harrison, the most awarded Direct Marketing Creative Director of all time, says that sending something handmade is like sending a piece of the real world.  Steve consumes mass media knowing it is produced for others, but with handmade, he feels like the special recipient. He also asserts that handwritten communication makes us more honest. Just think of the importance and gravity placed upon the old fashioned concept of a signature. Banks are still willing to stake fortunes on how someone crosses a ‘t’ or dots an ‘i’. And in terms of actual value, handwritten is still vastly superior. A handwritten letter from Sir Francis Crick to his son describing his discovery of the double helix DNA sold for a whopping US$6 million in 2013. Ran and Max contend that marketers who supply to this demand of a personal touch definitely reap the rewards.  Rory Sutherland, a fellow Oglivy associate, also supports the theory. He states that in London – or any global city for that matter – one is exposed to thousands of adverts a day. Yet every so often an advert breaks the pattern – its stands out like an X amongst Os. And this is vital because our minds separate things that are different, not just improved versions of the same thing. Rory explains that our brains don’t just passively receive communication, they actively decode it. For instance, if you receive two wedding invitations with notionally identical information, but one is delivered by email and the other on an embossed card, the information they convey is noticeably different. The chances of getting free champagne, for example, seem much higher at the wedding with the embossed cards. In biology, this is known as costly signalling. He points out that in the animal kingdom, a peacock’s tail exists for decorative purposes but it also serves as a genetic proxy to female bird. In short, we infer things from their presentation. This judgment is so visceral because it has actually been built into our hardware as a tactic for survival. Like the effort of having a beautiful tail as a male peacock, Rory believes meaningful communication is also somehow effortful. Either in its cost of transmission, means of creation or inherent creativity. These things show we have put thought into the message. Its value lies directly in its difficulty. So next time you go reach out to lapsed client over email, or even that long-distance friend, maybe pick up a pen instead – there will be a fundamental difference in reception. As it was reiterated on the day: “Digital may have the reach [but] handmade has the grasp.” Ran and Max’s three rules for creative, unique communication: 1) Be a human – a little bit of humanity goes a really long way 2) Be a fisherman – with a rod not a net.  You’re better off targeting right fish with right bait 3) Be creative – creativity is fundamentally interesting and demands attention
  • Pretty By Name, Prettier By Nature | Travel Feature
    Pretty By Name, Prettier By Nature | Travel FeatureIf the measure of a great hotel is how much of it you want to take home with you, then Pretty Beach House on New South Wales’ lower Central Coast is an outstanding winner. We’re talking much more than a bottle of organic shampoo and a fluffy towel: there are A.H. Beard Domino massage beds, Christopher Boots Prometheus III light fixtures, a cellar that would make any world class sommelier weak at the knees and the most amiable and exquisitely mannered team you could imagine (the types who anticipate what you might want even before you know you want it). With a maximum of eight guests across the four pavilions staying at any one time, the proprietors – hospitality royalty Karina & Brian Barry, have created a private piece of paradise, nestled above the aptly named Pretty Beach. Like a phoenix risen from the flames, PBH’s second life following a traumatic fire in 2012 is even more magical than before, securing itself a spot in Mr & Mrs Smith’s Best Smith Hotel list of the Top 10 hotels in the world in 2015. Every detail has been considered with undeniable style, thanks to the work of leading Australian interior designer Michelle Leslie. The property is owned by advertising entrepreneur John Singleton, whose eminent art collection certainly helps, with a John Olsen hanging above the fireplace and Sidney Nolan’s ‘Ned Kelly’ sitting above you at breakfast. As for breakfast itself, after fresh juice and fruit, homemade granola, breads and jam, the open-plan kitchen will serve eggs any way you desire but we highly recommend Stefano Manfredi’s special breadcrumb-coated fried eggs, which absolutely guarantee your blissful day begins in the right way. Manfredi doesn’t just curate the boundless supply of gourmet food (think five-course degustations, octopus carpaccio and grilled quail served with truffles, followed by buttermilk panna cotta), but the film and music menu too. He’s responsible for the communal lounge room’s movie library and the selection of vinyls in each guest house. As the father of a legitimate rock star (Isabella, lead singer of The Preatures), your ears are in as good a pair of hands as your tastebuds. Adding to the multi-sensory experience, a Darkinjung elder leads a ‘Welcome to Country’ indigenous smoking ceremony every evening. He shares stories of the local clan’s history, culture and spiritual outlook, offering a wonderful insight into the traditional custodians of the land. Despite centuries of change since the Guringai people first met Captain Arthur Phillip here, the lush and timeless surrounds of Bouddi National Park are still rich in natural beauty. Bush trails wind all around the headland – one undulating route delivers you to the wild and often secluded Tallow Beach, and another leads to Box Head lookout, which boasts panoramic views of Broken Bay, Pittwater and the Tasman Sea. And while Palm Beach’s Barrenjoey Lighthouse sits just on the other side of Broken Bay, the busyness of Sydney feels like light years away.
  • When Your Plan B  (or C, D, E!) Becomes Your Plan A | Profile Feature
    When Your Plan B (or C, D, E!) Becomes Your Plan A | Profile FeatureIf there’s one thing we know from several thousand interviews and three and half years of connecting with entrepreneurial people (seasoned, aspiring or somewhere in between) is that life – and by extension, business – is never ever linear. Plan As rarely go to plan at all, and Plan Bs (let’s be honest, often Plan F) have a funny habit of sneaking up on you, resulting in an entire overhaul of your expectations of, and metrics for success. This has certainly been the case for 30 year-old professional actor-turned-photographer/photography teacher Gemma Pranita, who recently made the decision to take the reigns of her career for the first time after a decade of being at the mercy of a passionate, tumultuous and frequently disloyal lover: the TV and film industry. After a dalliance with two ends of the creative spectrum (a 12 month stint with Bell Shakespeare as Ophelia, Juliet and Lady Macbeth, as well as a few years on iconic Australian TV show Neighbours alongside Margot Robbie), Gemma thought she ought to follow the bright lights to Hollywood. She did, but as is so often the way, the universe had other plans in the works.
  • Why Some Of Us Don't Have One True Calling | Collective Hub magazine feature
    Why Some Of Us Don't Have One True Calling | Collective Hub magazine feature
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Projects credited in
  • The Loop - TedX
    The Loop - TedXIn 2009 I quit my dream job at MTV to co-found The Loop (www.theloop.com.au) with my colleague Matt Fayle. Akin to a beautifully designed, content rich and more creative version of Linkedin, The Loop (www.theloop.com.au) quickly grew into the leading professional networking and recruitment site for creatives in the region, with over 65% of all Australian creative professionals registered to the site, 70% of which return each day. This highly engaged community enabled us to secure two rounds of
Work history
    Smack Bang Designs logo
    Smack Bang Designs logo
    Brand Marketer + CopywriterSmack Bang Designs
    Sydney, AustraliaFull Time
    Freelance Brand & Content ConsultantHannah Silverton
    Sydney, AustraliaFreelance
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  • Copywriting
  • Editing
  • Content Strategy
  • Marketing
  • Creative Direction
  • Creative Arts
  • Event Management
  • Brand Partnerships
    Postgraduate Diploma in JournalismThe London School of Journalism
     - London, United Kingdom
    Bachelor ArtsThe University of Sydney
     - Sydney, Australia
    Major: English Literature Minors: Philosophy, History & Sociology
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