Over the last 5 years, I have built a multi-disciplinary portfolio of works that range from digital and print design, music, theatre and other entertainment industries. However, I am currently interested in following a passion in immersive performance, specifically in the live music and festival sector.
Previous creative works I have explored, involve critical, communication and campaign design with a variety of physical and digital mediums. Specifically, I am keen to explore the relationship that manifests between fandoms and artists.
Previously, I curated a project named “Connecting the Fan.” It was a speculative project, that consisted of multiple design disciplines and was accompanied by an academic piece entitled “The identity of a fan: A speculative reflection upon the nature of the fan and the changing contexts that bounds the relationship between artist, and fan.” Being emerged amongst a fandom’s shared environment, witnessing behaviour and influences is part of the human condition that I find most interesting.
Previously I’ve worked on briefs such as the following:
1. How might I celebrate feeling overwhelmed? Studying my creative process, and delivering a response.
2. How might I challenge tacit homophobia? A creative campaign meant to raise awareness and further tackle the issue of homophobia. This time, with an explicit tone of voice and visuals.
3. How might I comprehend 140,000,000 births in 2019? Curate a design response based on a statistic.
4. Brand development for the English and Writing Department of Falmouth University. Awakening a critical consciousness.
During my time studying BA Music, Theatre & Entertainment Management, I also worked on multiple projects such as:
- Designing a business plan the consists of a wellbeing agency aimed towards the touring musician and festival season.
- A release proposal of a Charles Manson’s “LIE: The Love & Terror Cult” cover album. To be part of a collector’s item, as 2019 witnessed the 50th anniversary of the Tate & LiBianca murders. The proposal included considerations towards royalty distribution, planning, analytical tools and marketing, including a merchandise that partnered with The Great Frog, London.
- The opportunity to work, arrange and help produce gigs and theatre performances.
- A lot of marketing plans, a range of cultural studies and reflective practices.
Work history
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PhotographerThe Photo Team
London, United KingdomFreelance
I work alongside a team of professional photographers, assisting them to produce studio quality photographs for a variety of clients and events. As well as developing my personable skills, the role pushes me to remain calm under pressure, whilst practicing crucial people skills, communication and punctuality.
Skills
- Critical Design
- Digital Artwork
- Print Communications
- Photography
- Project Management
- Communication
- Organisation
Education
MAFalmouth University
- Woodlane, Falmouth TR11, UK
Communication design is a broad field of study, and choices will depend on your own personal project focus. These can include graphic design, branding, service design, exhibition design, UX design, criticism and writing, teaching, research and PhD study. You can also enter related fields like television, advertising, and the heritage and cultural sectors.
BAFalmouth University
- Penryn Campus, Treliever Road, Penryn TR10 9FE, UK
The course was primarily led as a management and entrepreunial degree, where I applied genetic and management skills to curate and manage creative, live events. Throughout my time at Falmouth University, I have gained experience on various placements, such as:
Wristband Crew at Reading Festival, Festival Republic.
Intern at This Is Distorted, Leeds.
Deputy Stage Manager at St Ives Theatre.
Music Production Internship, Falmouth University.
City of Lights Festival, Truro.
BBC Introducing showcase, Falmouth University.
Academy of Music and Theatre Arts stewarding, Falmouth University.
The Disability Campaign.
Broken Thought “Is it Over” Music Video Launch.