Work history
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Lead Graphic DesignerThe Line
New York, United StatesFull Time
Shaping the evolution of the current site, the editorial content (The Stories), e-commerce (The Objects), and an offline community (The Apartment), flowing seamlessly between online and offline touchpoints. Mainly working on UX/UI projects, print supports and signage.
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Graphic Design Intern2x4.org
- New York, United StatesFull Time
Worked on space and signage design, branding, editorial, and animations for various clients, including the Office for Metropolitan Architecture (OMA), Prada, Arper, The Rubin Museum of Arts, Herman Miller, Pérez Art Museum Miami (PAMM), Design Within Reach, and others.
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Skills
- Print Design
- Editorial
- Digital Design
- Motion
- Typography
- Signage
- Brand Packaging
- Brand Identiry
- Ui/ux Design
- Fashion Graphics
Education
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Honours Degree of Bachelor of Arts in Graphic DesignWinchester School of Art, University of Southampton
- Southampton, United Kingdom
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Erasmus Exchange ProgrammWinchester School of Art, University of Southampton
- Eindhoven, Netherlands
In the department of Communication for 6 months, I developed and enhanced a conceptual and artistic way of designing.
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Awards
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PAOM Endowment for Extraordinary DesignPrint All Over Me
Isles is one of the winning projects from the PAOM Endowment for Extraordinary Design fellows. A swimwear collection that comes from a series of painted papers with the marbling art technique. This method is based on sprinkling color pigments on water, where they float and form swirling patterns, looking like isles in an aerial landscape.L
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Bronze in the category Audiovisual Profesional and StudentsLaus Design Awards
The prize was for the piece 6825f., displayed at Sonar Music Creativity & Technology Festival.
In 1952, John Cage, American composer, devised a musical play, which can be perfomed by any instrument, in any way and by anyone. In the piece untitled 04:33, the interpreters sit in silence in front of their instruments during the whole perfomance (4min. 33secs.), the environment sounds form the music. The artist proves the non-existance of silence. A year before, he carried out the experiment of enterring inside an Anechoic Chamber in the Harvard University, hoping to find the silence. He wrote:”…I heard two sounds, a grave one and a high one. I descrive it to the engineer, an he explained to me that the high sound it was because of my nervious system, and the grave one for my blood circulation. There will be sound until my death, and it will continue after. We don’t have to worry for the future of music.” 6825f., is a visual interpretation of Cage’s masterpiece by means of the enlargement of the parts of the body and listening to the sounds produced during 6.825 frames, (4min.33secs), from the concept that the unconnected and inaudible sounds produced by the individual are creating the music, imperceptible, but eternal.