About me
Music has been imperative in shaping the person I am today and a through line in both my personal and professional life. Over the past 10 years working as a recording and mixing engineer in both studio and live venues and working with musicians and producers across diverse musical genres has enabled me to gain vast knowledge of the industry and extensive insight into the running’s of audio production, sound and playback engineering.
Work history
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Cinema EngineerOmnex
United KingdomFull Time
Liaising with Cinema Manager to identify faults and create work plans ● Technical work included but not limited to Seat Motors, Electrics and
Led Changes
Projector maintenance and new cinema installs and refitting
Delivering timely service for the smooth running of cinema facilities and
customer experience
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Producer / Engineer - David KofiFreelance
London, United KingdomFreelance
Primary Producer
Produced both “Kokoro I” & “Kokoro II” EP, singles featured on Jazz FM,
Soho Radio and Times Radio.
Responsible for creating and developing artists sound.
Co-wrote, assisted with musical arrangement and top lines
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Skills
- Team Leadership
- Collaborative Working
- Audio Recording
- Audio Editing
- Music Recording
- Music Production
- Audacity
- Logic Pro
- Podcast Production
Education
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MMus Production of Popular MusicKingston University
- Kingston upon Thames, United Kingdom
A challenging but rewarding course that was the catalyst in refining a lot of the practical experience gained as a live musician and ‘bed room’ producer. This course gave me the opportunity to really grasp the concept of the recording process in its rawest form. I learnt the history of analogue recording and how to apply its importance in todays more digital landscape. This course solidified my love for audio production and equipped me with the skills needed to succeed in the professional world.
Awards
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Visconti Studios ScholarshipKingston University
I worked on S.O.L Collectives’ debut Album. A Multi-Disciplined Musical Ensemble that only used Live Instruments, the entire project was recorded to tape. Visconti Studios which has the second biggest live room in the country, second to legendary Abbey Road Studios, here my main roles included audio capture, mic placement and audio recording.