Projects
- THE BOOK OF CLARENCE (CG Supervision)For Jeymes Samuel's bibical comedy-drama, The Book of Clarence, One of Us were the sole VFX vendor responsible for over 250 VFX shots. Under the expert VFX supervision of Adam Azmy, our team successfully delivered 250+ VFX shots for the project. As the CG Supervisor, my role was to ensure that all CG elements were invisible and blended flawlessly with the time period depicted in the film. Over the course of production, the CG team grew to around 30 talented artists, and despite the complexity,
- JOHN WICK 4 (Crowd Simulation & Motion Capture Supervision)As the Crowd Supervisor for the iconic nightclub fight sequence in John Wick: Chapter 4, I worked with One of Us to bring the scene to life. To ensure the dynamic, high-energy environment was believable, I led the planning and execution of a motion capture shoot. Collaborating with our in-house CG Supervisor and the immensely talented dancer and movement supervisor Nicole Bondzie, we captured performances from four talented dancers, choreographed to reflect the style and energy of the on-set da
- VERIZON - CAN'T BE BROKEN (Crowd Simulation Supervision)Verizon’s Super Bowl commercial with Beyoncé and actor Tony Hale, highlights the power and reliability of the Verizon network, with Beyoncé appearing in a variety of bold scenarios. From unveiling herself as Bar-Bey, launching an AI clone of herself, to performing in space and declaring a run for president, the spot presented a major VFX challenge for Method Studios. I was called in to create a utilise my Tribe crowd workflow and assist creating realistic crowd scenes for the presidential rall
- DUNKIRKCrowd Supervisor at DNEG -- For Christopher Nolan's war epic Dunkirk, depicting the evacuation of allied soldiers in World War II, I supervised a team of talented crowd TD's in the creation of believable crowds, with complex animation, which were required to hold up at IMAX resolution. Given that the film was shot entirely on IMAX, this added a considerable level of complexity to all aspects of the CG work, due to the on-screen size of crowd agents. Ensuring agents and live action characters
- VODAFONE - GigacubeCrowd Supervisor @ The Mill -- In this crowd heavy, action packed spot for Vodafone, some creative choreography was required, to create mountains of climbing crowd agents. Traditionally this is a task that would have been handled in-house using Massive. However, as our crowd toolset for Houdini at this time was very mature, development could be focused on honing the creative look and enabling a procedural approach to the shots, as there were multiple "crowd mountains" required. Using a combin
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Work history
O
O
CG SupervisorOne of us Ltd
London, United KingdomFull Time
J
J
Houdini Pipeline DeveloperJellyfish Pictures
- London, United KingdomFreelance
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Skills
- VFX
- VFX Supervision
- Animation VFX
- 3D
- 3D Artist
- Python
- Programming Python