London-based artist from Istanbul, Turkey. Working with an interest toward receptive surfaces, abstraction, aftermath, and exploring the ontology of personal objects and materials. Currently working as a mid-level lighting technician on all levels of photographic productions.Locked Pro Plan feature
- Operating locally, internationally, on-location, and in-studio. - Working with clients, stakeholders, high profile individuals, and influencers. - Qualified in the production spectrum, i.e. E-Commerce, Editorial, Lookbooks, Charities, Press Shoots, and Campaigns. - Competent within the roles of a Digi-Op, Camera-Op, Lighting Director, Grip Asst., Location Scout, and Production Asst. Selected Employers: Cuneyt Akeroglu, Benedict Brink, Coco Capitan, James Capper, Laura Coulson, Bruna Kazinoti, Gabrielle Laurent, Alexandra Leese, Bellhouse Markes, Blair Getz Mezibov, Holmes Production, NM Productions, Rosco Production, Ward Ivan Rafik, Maxwell Tomlinson, and Ben Toms.
- Handling deliveries, receivables, and press material. - Stock checking and day to day upkeep of gallery space. - Researching and providing data entry on social media channels. - Talking to collectors and visitors on current shows (Estate by Bernd and Hilla Becher).
- Documenting, spotting, and archiving artwork. - Arranging trips (booking flights, fixing visas, and scheduling). - Managing projects independently, from image making to retouching and print. - Assisting on shoots for Gucci, Richardson Magazine, STYLE.COM, and The Wire. - Producing the artist’s website, supplements for magazines, copywriting, and prepping lectures. - Liaising with curators and specialists (Simon Baker, Isabella Maidment, David Campany, and more). - Re-Framing and installing A Good Man’s Grave Is His Sabbath at Little Big Man Gallery together with Nick Haymes (Los Angeles, CA). - Production support for Nick Waplington / Alexander McQueen: Working Process (Tate Britain) and Time, Conflict, Photography (Tate Modern).