Projects credited in
- Afro-PortraitismIs there finally a new arts movement for black people? ARTS+CULTUREQ+A Afro-Portraitism was born out of a new wave of black artists' distinct approaches to their identities 29April 2017TextCharlie Brinkhurst-Cuff There have been few historically-recognised artistic movements in the western world that have centered black people. The British Black Arts Movement, a radical 1980s political art movement inspired by anti-racist and feminist discourse, helped to secure the rise of artists such as Sonia
- Nike Galaxy 720 x Dazed BeautyNike's newest sneaker edition, the Air Max 720, was given an extraterrestrial treatment by four digital artists at the forefront of their craft. Isamaya Ffrench and Ben Ditto, Dazed Beauty’s Creative Directors, selected talent Darío Alva, Rick Farin, Carlos Saez and Sevi Iko Dømochevsky and Sucuk und Bratwurst, who then reimagined the shoe as never before: worn by otherworldly creatures, cyborgs and alien lifeforms in an alternative galaxy. In line with the Air Max 720’s futuristic look and de
- Dazed x Levis"Where You Gone Run To ?' showcases the amazing talents of illustrator / model King Owusu and poet / model Rohan Ayinde of Nii Agency. Where You Gone Run To ?, plays with the ideals of revealing one’s authentic self. Rohan Ayinde performs the intimate poem Rainbow Country, which describes the moment his mother expressed her love for another woman. We push for an intimate and progressive setting to showcase Ayinde and Owusu in a vulnerable, yet powerful state. From the hair styles to their body l
- Roxanne Tataei - Crimson EyesRoxanne Tataei’s new official music video for ‘Crimson Eyes’. 'Red eye' is one of the Caribbean's oldest and most potent phrases. A key aspect of the West African diaspora, it's a term that was retained by slaves, a patois phrase that means - essentially - someone who is jealous, or full of envy. South London's Roxanne Tataei knows the full depth of meaning behind the phrase, and it forms the spine of her new song 'Crimson Eye' - Robin Murray, Clash Magazine
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