Tales Sabará
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Tales Sabará

Assistant curator and artistLondon, United Kingdom
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Nicole Krystal Crentsil
Tati Yusuf
Kristi Minchin
Tales Sabará
Available

Tales Sabará

Assistant curator and artistLondon, United Kingdom
About me
I am experienced in assisting exhibitions, collections display and arts projects in a wide range of settings. I have experience handling fragile, large and/or valuable object. I installed 74 exhibitions in countries such as United Kingdom, France, Brazil and Portugal. I have previously worked for various galleries and arts organisations including La Maison Rouge in France (Paris). In 2017, I assisted the artist Christian Boltanski during the exhibition “Étranger Résident”. In Brazil, I integrated Pesquisa Guignard’s team and inventoried more than 60 artworks of the artist Alberto da Veiga Guignard. I completed my Master at the University of Coimbra in 2018 and my master’s research focused on curatorship and museums.
Projects
  • Afro-Colombian poetry
    Afro-Colombian poetryI was recently commissioned to make a series of linocut illustrations for a book. Each illustration represents a poet.
  • "Bodies of water" reading froup
    "Bodies of water" reading froupIn her book “Bodies of Water” Astrida Neimanis invites us to dive into a vast and important task: rethinking embodiment as watery, against conventional understandings of the individual subject as discrete, coherently bounded, and awaiting control. This discrete individualism is indeed washed away as a "dry myth" as Neimanis proposes her notion of "hydrocommons." Her understanding of bodies of water challenges not only individualism, but also the anthropocentrism of which the unitary subject is b
  • Artist's way
    Artist's way“Artist’s Way” was written by Cameron in 1992 to help people with creative recovery and expose the powerful links between artistic creativity and spiritual connection. Structured as a series of weekly tasks and exercises, the book suggests its readers the techniques for gaining self-confidence in harnessing their creative talents and skills. More importantly, it activates the reader’s self-awareness and teaches to listen to herself, encouraging her to reconfigure her everyday life into a flow of
  • Equinox Ligth Cure
    Equinox Ligth CureEquinox Light Cure is a celebration of the power of self-mythologising. The power that actualises in the ability to render the multiple versions of ourselves: through the narratives we weave, via stories we tell each other, in the histories and pasts we carve and enact. As our mythologies materialise in the configuration of our bodies and the trajectories of our thinking, we are neither innocent nor alone; yet we are aware of the ontological responsibility of our myth-making, and accept it with
  • Staying with the Trouble
    Staying with the TroubleThe discussion was moderated by filmmaker Alyona Larionova and Sasha Burkhanova-Khabadze. Alyona Larionova (b. 1988, lives and works in London) is an artist and filmmaker based in London. She received her BA Honours in Photography from London College of Communication and her MFA in Media from Slade School of Fine Art. Recent and upcoming shows include screenings at Sharjah Art Foundation; as well as participation at the 11th edition of Lo Schermo Dell’Arte Film Festival in Florence; 35th Kas
  • Touching Distance
    Touching DistanceTouching Distance is the first exhibition in the “Empowerments” series of public events, hosted by Exposed Arts Projects in 2019 (curated by Sasha Burkhanova-Khabadze). Over the course of four exhibitions and concurrent events, researchers and art practitioners will interrogate contemporary notions of power, and consider how they reside in, and emerge from, our social structures, institutions and systems of belief. Touching Distance explores the relationship between control, dependence and vulne
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Work history
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    Assistant CuratorExposed Arts Projects
    London, United KingdomFreelance
    Assisting and supporting events run by the Curatorial team. Face-to- face interaction with researches and public. Effectively and proactively dealing with the day to day duties such as welcoming audience, sending e-mails, handling artworks. Installing and de-installing exhibition objects for all exhibitions. Handling, packing, repacking of a wide variety of objects in the gallery.
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    Collection AssistantLa Maison Rouge
     - Paris, FranceInternship
    Proper documentation of the artworks - "Fondation Antoine de Galbert". Handling, packing and examining works of art under curatorial supervision to confirm, update, and correct cataloguing. Entering, researching and cataloguing, to SPECTRUM standards, objects in the collection. Providing a high class of assistance services, ensuring that audience’s needs. Artwork logistics: updating locations on the database. Moving, opening, and closing exhibition and display cases from storage areas. www.lamaisonrouge.org
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Skills
  • Photography
  • Cataloging
  • Creative Publishing
  • Illustration
  • Teaching
  • Exhibition Curation
  • Volunteer
  • Coordinating Events
  • Team Collaboration
  • Etching
Education
    University of The Arts London (UAL) logo
    University of The Arts London (UAL) logo
    Art Handling and InstallationUniversity of The Arts London (UAL)
     - London, United Kingdom
    Safe handling of 2D artworks Fixings, tools, wall conditions and appropriate hanging methods Removing 2D artworks from wall and de-installation process Condition Reports, Packing, and Handling Handling large 2-D works Handling 3-D Work
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    Curatorial StudiesUniversity of Coimbra
     - Coimbra, Portugal
    M.A in Curatorial Studies Thesis mark and grade: 18 out of 20 Key Skills gained: Interdisciplinary curatorial approaches Curatorial tendencies, thematic focal points and potentials characterizing the field today
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Awards
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    SOS Mata AtlânticaCaosArte
    Award winning illustration
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    3rd Edition CaosArteCaosArte
    Award winning illustration
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