About me

Through the WDGAF- RAW project, our vision is to offer equal performance opportunities to all of our artists (regardless of ability). We intend to help each individual develop their creative potential, working at their own pace and level. All artists that join our platform will be provided with performance opportunities so that they have a platform to showcase their talent. Alongside networking, this is incredibly important for performers, so we must ensure we offer both. We will also provide a range of tools – both in relation to their movement and outside of performance. ​                                                                       --------------------------------- We hope that through the combination of the provision of networking opportunities with like-minded creatives, performance opportunities and developmental tools, we can provide our artists with a strong platform to build up their profiles and fulfil their true creative potential!                                                                       ------------------------------- WDGAF-Raw are working with raw art forms to explore movement whilst being documented. This platforms based  on not being influenced by society. By this I mean how they put limitation caps on our creativity which is not allowing each individual to explore in depth their artistic strengths. It’s being created for each person involved to explore with each other and bounce off each other's positive/negative energy and turn it into something constantly positive. The process will be captured through polaroid images which will then be created into an art exhibition with live art forms in front of each polaroid such as musicians, dancers, models, singers etc.

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Projects

• 4

  Re-CreationA choreography collaboration between interior designers at Chelsea college of arts and our one of our artistic directors Tayla Smith. Re- creation is about recreating the archive, using previous movement practice as a starting point and developing it through design and movement. To reproduce the dancing movement , plaster casting was used as a physical element to provide the reflection of making moulds and objects. The designers also used coffee and plain paper to mimic dancing movement, placi