Projects
- UNCENSORED Exhibition: A Gimp’s POVUNCENSORED exhibition, part of the three-day UNCENSORED festival, unveils the importance of allowing artists to present their work fiercely and proudly in the face of censorship or societal restraint. UNCENSORED exhibition’s curator, Aleksandra Wojt, exposed the work of artists and performers that challenge and question the role of art, pornography, politics and all aspects in between. The result is an exhibition that redefines the way we look at the contemporary discourse of sexuality, gender,
- Beauty Uncut: Empowered Aesthetics in the Digital AgeWhat is beauty? In this article, originally published for Judas Magazine, I interview 4 artists who I believe question the role of the beauty industry and challenge the contemporary aesthetic to reconsider the concept of beauty as a radically destabilising tool. Beauty as a process, not an endpoint. Beauty as a question, never an answer.
- Fontana at PornceptualMeet Fontana, the multi-breasted performer who is challenging the notions of femininity and masculinity at the Pornceptual party in Berlin. "Noemi Veberic Levovnik’s ‘Fontana’ and I meet during her performance at the Pornceptual party in Berlin, where I feed off her presence and like a baby eager to be breastfed again, I crave to suck onto her exhilarating energy once more. Pornceptual isn’t just a party, it’s a platform that aims to transcend the current associations presented by pornography
- SEXBODIES"SEXBODIES, contrary to what the name might suggest, is not interested in sex per se, and does not focus on the carnal conception of physical bodies. No, SEXBODIES outstrips the normative narrative of sexuality, its identities and all its bodies. SEXBODIES is not about the disrobing of clothes, but rather about the removal of stigma, the undressing of calcified stereotypes and the exposure of centuries of sexual institutionalisation. Although presented as static images, behind each and every pho
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Projects credited in
- The Sublime | VR ExhibitWhat is the sublime? Traditionally, it was understood via the concepts of grandeur, power, fear, transcendence, awe and stupefaction – but today, one might argue, it is best characterised by a feeling of disembodiment, displacement and chronic anxiety. As we enter ever more uncertain times – both existentially and technologically – the sublime casts a shadow on our future, making us both wonder in anticipation and worry in trepidation. As the two big powers of technology and nature merge, what s
- The Sublime 3.0: Fear and Awe - Preview PartyHere are some pictures were taken last night, 26 October 2021, for the launch of our VR exhibit "The Sublime 3.0" Thanks to everyone who joined and it was a lot of fun meeting you. Feel free to visit the exhibit and join us for the next party. More info ►► https://agoradigital.art/virtual-reality-exhibitions/the-sublime/
Work history
WriterAgora Digital Art
London, United KingdomFreelance
WriterAgora Digital Art
London, United KingdomFreelance
Writer specialising in philosophy of art, philosophy of technology and all things aesthetics.
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Skills
- Copywiting
- Creative Writing
- Art Direction
- Magazine Articles
- Publishing
- Philosophy
- Content Writing
- Blog Writing
- Art Criticism
- Digital Strategies
Education
B
B
MA PhilosophyBirkbeck College, University of London
- London, United Kingdom
Focus on 20th-century german philosophy, aesthetics and gender studies.
BA Graphic CommunicationCentral Saint Martins (UAL)
- London, United Kingdom
BA in Graphic Communication where I specialised in Art Direction, Strategy and Copywriting for Advertising.
Awards
1
1
Writing Submission Winner1888 Center
'Why We Write' writing submission for 1888 Center
http://1888.center/gabriella-p-gasparini/Y
Y
Best Creative TeamYDLA
Best Creative Team in the Young Digital Leader Awards.+ Show more