Rafailia Thiraiou
Available

Rafailia Thiraiou

CuratorBirmingham, United Kingdom
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Rafailia Thiraiou
Available

Rafailia Thiraiou

CuratorBirmingham, United Kingdom
About me
Curious explorer of the psyche through art and curatorial practice, navigating the intersection of technology and art, experimental music and visual art, and art's role as a tool for social justice. Through my recent projects, I have mastered multitasking and fast-paced working environments but most importantly the value of collaborative practices, and solidarity within institutions and among creatives. My recent curatorial projects include Diaphonics- Andrius Arutiunian (2023), Eastern Incantations, Experimental Music Festival (2023), and Heterotopias in The Turbulence Zone (2023) at Centrala, in Birmingham. I initiated and led the online project Orbiting the Glitch, at NewArtCity, (2021) and Mutant Materialities (2022) at Asylum Art Gallery and I have been part of many projects during my academic life.
Projects
  • Diaphonics
    DiaphonicsDiaphonics, the first solo exhibition of Andrius Arutiunian in the UK. The show borrows its title from a musical term indicating both a doctrine of refracted sound and diaphony – “a parallel search of voices”, a form of harmony where voices move in parallel motion. The exhibition departs from Arutiunian’s research on vernacular knowledge, political peripheries and mysticism.
  • Collage of Memories
    Collage of MemoriesA collage of memories is an exhibition based on revisiting memories during lockdown. I found myself looking at photographs of my home, the sea which I sincerely missed, my friends, moments of fun and creativity repeatedly. During this time, I spend a great deal of self-reflecting and thinking of all those things that made me happy. One of them is photography; I have never shown my photographs in a form of an exhibition before and I thought it would a fun challenge. From past projects to present
  • Painted ladies: An exchange of ideas
    Painted ladies: An exchange of ideasPainted Ladies was a display of 20th-century paintings depicting women painted by both female and male artists including Emma Bolland, Dorette Outlaw, and Alfred Egerton Cooper. Many of the works on display have not been shown for many years. The exhibition invited visitors to think about the ways that female and male artists have represented women in art. The exhibition also invited visitors to consider the Victorian collection in the Gallery and observe how the representation of women may hav
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Work history
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    Art Programme CoordinatorCentrala
     - Birmingham, United KingdomFull Time
    Responsible for researching and delivering the arts programme, including fundraising, artist support and commissions, technical installations, production of public programme events (physical and online), and exhibition administration and interpretation. Developed audience engagement activities for exhibitions, and produced a diverse range of events such as an experimental music festival, film screenings, a conference, and more. Worked on new strategies for social media promotion and engagement. The Instagram account followers increased by 800+ new followers. Collaborated with freelance creatives to produce, video promotional materials, and live streaming events for digital archiving and convinced the director to upgrade the equipment for delivering excellence at events. Key contact for all exhibitions and budgets, building positive relationships with stakeholders while ensuring effective communication throughout all internal and external projects. Line Manager to gallery assistants, volunteers, and interns, allocating tasks and tracking their progress. Co-led and established the first Central and Eastern European Creatives Network, in Birmingham and London which has expanded to 90+ members.
    Ikon Gallery logo
    Ikon Gallery logo
    Interim Assistant CuratorIkon Gallery
     - Birmingham, United KingdomFull Time
    Recruited for my quick learning, adaptability, and organization skills, for administrating National and International loans from Tate, Yale, Harvard University, Pitt Rivers, and the Ashmolean Museum. Worked closely with the director, curator, and artists in three big exhibition projects. I was the main point of contact for lenders, couriers, artists, and other departments. Worked in publications, acquiring image licensing, proofreading, and distribution. Led the installation process, scheduling and achieving time-sensitive condition checking, ensuring environmental and security standards Maintained up-to-date budgets.
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Education
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    MAUniversity of Birmingham
     - Birmingham, United Kingdom
    Art history and curating
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    BAPanteion University of Social and Political Sciences
     - Athens, Greece
    Communication, Media and Culture