«Here space is everything, for time ceases to quicken memory». Gaston Bachelard
The formal configuration of the captured building, not by chance nicknamed “Korabelka*”, refers to the eternal Ark myth. We brought this obviousness to the viewer, who is searching for the identity and correspondence in the images, so he will be involved into way more intricate story. Playing with the images from reality: the objects (toys) with simply read features, we’ve conveyed the hyper-real feeling — the sense of time. Nor the children’s toys unfold the ultra-phenomena’s core: the ship witnesses the purity and seeming serenity of the beginning, the car — the rapid development, the train in a closed path — the accelerating moment ready to collapse. To confer the chosen items with this peculiar connotation emerged to be possible in the context of the building only, as the representative of the space, the representative of the eternity.
Humanity endlessly seeks to attach itself to the space and time — to leave a mark that seems impossible due to the phenomena’s core permanently eluding from the observation. In the effort to tame one — the time, a man appeal to the other — the space: he tries on the demiurge’s role including creating the architecture.The time is beyond the man’s power and the space plays a cruel joke towards him: the spatial creature, the converted matter becomes not the creator’s continuation — the mark of his significance at the spatial-temporal map of eventfulness, —but the demonstration of the time spot of some panhuman significance at the eternity map, persisting as the super-idea of the firmness, intransigence facing the perpetual changes.
* from Russian «корабль» — a ship, nicknamed due to it’s shape and function of a shipbuilding university.