Constructs of Desire for REY Magazine
"Constructs of Desire" invites viewers to contemplate the multifaceted dimensions of desire, masculinity, and identity. Through a visual journey, this series challenges conventional norms, encouraging a deeper understanding of the performative acts that shape and express desire within the complex interplay of body language, gender, and sexuality. In the series "Constructs of Desire," my lens delves into the intricate interplay of body language, gender, and sexuality, inspired by the spirited debates ignited by Cameron and Kulick's (2003) groundbreaking work, "Language and Sexuality." This collection captures a fusion of analogue black and white and colour photography, accentuated by light leaks and a vintage aesthetic. The title itself, "Constructs of Desire," nods to the multifaceted nature of desire explored within the images. Desire Beyond the Sexual: Cameron and Kulick expanded the study of desire beyond mere sexuality, introducing the concept of ontological desire—an individual's yearning to embody or emulate qualities intrinsic to a specific identity. In the context of masculinity, this desire extends beyond societal constraints, revealing a compelling exploration of self-construction within cultural discourses. Masculinity as Performative: Drawing inspiration from Stephen Whitehead's (2002) discourse on masculine ontology, the series navigates the pursuit of being and becoming masculine through performative acts. Masculinity, viewed as a social phenomenon, unfolds as a constant engagement in discursive practices that suggest and reinforce the desired identity. Through a lens of cultural discourses, the desire to construct and validate one's masculine self becomes a focal point. Visual Narratives: The visual narratives within "Constructs of Desire" transcend traditional gender norms, as a physically powerful yet vulnerably posed male model challenges preconceptions. Portraits capture not only the details of a well-defined physique but also the adoption of feminine poses, emphasising the performative nature of desire, both ontological and interpersonal.