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    Tate Display Graphics

    From Edvard Munch (2012) through to the future displays for 2015, the exhibition concourse has always been a significant part of the overall communication strategy; both as sign post, advert and embodiment of the artists practise and curatorial vision.

    Each concourse design is a collaboration between curator, designer and manufacturer to produce as eye-catching a response as possible.

    Credits

    Jon-Ross Le Haye

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