The new album is called Messy – aside from learning to accept love, what can you tell us about the inspiration behind it?
I didn’t know what the album was gonna be called for a really long time. And I felt like I kind of set myself up a bit by calling the last project Growth because I was like, “Okay, well, now my debut album has to be about what I’ve grown into.” And then I was like, “What have I grown into? What am I?” and that sort of really held me back for a bit because I felt like I needed to present this finished thing and it was going to be so defining.
Then I realized that all I could actually do was write about how I’m feeling and where I am right now. And honestly? That is kind of a mess. I’m trying to flip it from being a negative word and make it positive. In an age where everybody’s pretending to be kind of perfect online and stuff, it’s quite refreshing to be the opposite. I’m kind of messy. My room is messy.
I saw an exhibition quite early on in the album-making process called “Life Between Islands” at the Tate and it was celebrating all the art that was made in the cross culture between when people came home from the Windrush, and I felt so seen in that exhibition. I remember thinking “That’s me, like, I’m kind of like a mix of two things” and I felt quite insecure about that for a long time. Now I’m like, “Nah, it’s cool to be like, a mess of things.” Those are the surrounding themes of the album but mostly, I was just like, “Don’t overthink it, call it messy.” With the music as well, it’s not one specific genre; it really ebbs and flows, because I like to learn different kinds of music. I was like, I’m not going to make a Motown record or just ballads, I want to make loads of stuff. So if I call it messy, no one can say that my album’s a mess. I’ve already claimed that for myself.